Su Patreon trovate una nuova Storia di Apple inedita in inglese basata sulle dichiarazioni di Ken Kocienda, sviluppatore (tra le altre cose) della tastiera virtuale dell'iPhone.
Buona lettura (e, se potete, sostenete i contenuti di qualità)!
-
nda
- [ 0 ]
-
[ 0 ] - (Edit | Remove)
Mi pregio di ricordarvi che il protagonista di "From Here to Eternity" di Guarnaccia, cantante pensionato dei Punk Arré, era il Sig. Emilio Fugazi. ;-) https://www.mammaiuto.it/... -
nda
- [ 1 ]
-
[ 0 ] - (Edit | Remove)
@ellofizgherard nome verissimo e persona distinta dall'attore, ha lavorato a lungo come redattore/supervisore alla Marvel tra anni '80 e '90.
-
nda
- [ 2 ]
-
[ 0 ] - (Edit | Remove)
in una memorabile riunione, il mio capo disse: "dobbiamo adottare la soluzione meno indolore possibile"...
-
incancellabile PARASSITA
- [ 1 ]
-
[ 0 ] - (Edit | Remove)
For me, what [Meet, Skype, Teams, Zoom] all do is offer convenience and ease, with underlying complex technology, but nothing truly immersive. I keep thinking it’s because we’ve turned business tools into communication tools. It’s like using PRWire to send holiday cards.
#Repost @marvelcomicsguide with @repostsaveapp
· · ·
Stan Lee makes a bizarre cameo in the insanely dark Thunderbolts series during THE INITIATIVE (2006-2007). Stan made a number of comic book appearances over the years, starting in a text story in Marvel Mystery Comics 23, first fully appearing in Patsy & Hedy 78 and making his first Earth-616 appearance in Fantastic Four 10 alongside creative genius Jack Kirby
- - -
Artist: #MikeDeodato (@MikeDeodato)
Colours: #RainBeredo
Script: #WarrenEllis (@WarrenEllis)
From: #Thunderbolts 112 (interior)
Featuring: #StanLee
- - -
What’s your favourite Stan Lee cameo in comics?
- - -
#TheInitiative #Initiative #FaithInMonsters #TBolts #Excelsior #Marvel #MarvelComics #MarvelUniverse https://www.instagram.com/p/CKZftbGJlQp/?igshid=1ng7w0pfkehpg
Durante la degenza ho riletto la sequenza firmata Ellis/Deodato Jr. di Thunderbolt ed ho potuto apprezzare quanto fosse incredibilmente metanarrativamente aliena rispetto al 99% delle altre pubblicazioni supereroistiche dell'epoca.
-
nda
- [ 1 ]
-
[ 0 ] - (Edit | Remove)
Many people effectively rate a computer today on how well it can access social media, and a computer that can’t is therefore useless. This means you permit these companies to determine when the computer you spent your hard-earned money on should go in the trash. That decision probably won’t be made maliciously, but it certainly won’t be made to benefit you.
These are private companies and they get to decide how they will spend their money and time. But we, in turn, shouldn’t depend on them for anything nor expect anything from them, and we should think about finding ways to extricate ourselves from them and maintain contact with the people we care about in other fashions. On our systems in particular this will only get worse and it doesn’t have to. The power they have over our wallets and our public discourse is only — and entirely — because collectively we gave it to them.
Please don’t contact me to “well ackchyually” me and explain MITM attacks and how your terrible ISP inserts ads into your unencrypted web pages and how you were able to make a Gemini client out of a whistle and some shoelaces. If you don’t want to make your website content available to stupid old computers, then don’t.
I don’t think a liberal arts education makes you a better person. It ought to enable you to more accurately describe things. […]
On the one hand, of course, no education will prevent you from putting your mind to really troubling purposes. At the same time, there’s a lot of thinking in Silicon Valley that is there to describe reality in a way that wouldn’t immediately seem plausible. […] It allows very wealthy men, usually, to escape confrontation with what they really are doing. […] There are all these tech CEOs who believe they are the victims of random meanies on Twitter. And you think, how can you be so blind so as to not understand what the power differentials are here?
These are philosophical ideas that allow them to do this, even if they’re not very good ones. The ideas allow for an obfuscation of reality rather than a more penetrating analysis of it.
[…] many creators coming to comics from other fields don’t know how to defend the creation side, and end up with too little money to share. […] What kind of art school can pretend to prepare their students to this field without touching on such matters? This is part of the job, it’s not all just artistry.
nda
to
nda's feed,
Editoria,
Web e Comunicazione,
partiti ivi
Segnalo che Acta Media, il gruppo di Acta rivolto a giornalisti e professionisti della comunicazione e dell’informazione, terrà un incontro online, giovedì 17 dicembre 2020 alle ore 18:00, intitolato “Il giusto prezzo” per cercare di dare risposte alla domanda “Quanto mi faccio pagare?”.
Interverranno Antonio Piemontese di Acta Media e Alberto Puliafito di Slow News. https://www.actainrete.it...
The web has to mature beyond advertising as a business model. For this to happen people are going to have to open their wallets, pay for the services they use, and support independent businesses. That’s how we build a web where indies can thrive - one that’s more village centre than financial centre. I think the shift is underway.
In Holland, where I’m from, Uncle Scrooge is called Uncle Dagobert. All the Barks stories were reprinted in weekly magazine DONALD DUCK. Barks’s mad inventions, imaginative stories and lively, living characters were a big part of my formative years.