carnivaloftherandom:

keraleda:

“Lighten Up” by Ronald Wimberly

Beautifuly written- and drawn.

(images are a comic depicting via color designations and cultural explanation, the various ways in which visual representation of identity informs perception of identity in ourselves and others.)

nevver:

Drawn from memory, @TheBadBucket

travisellisor:

page 2 from The Uncanny X-Men (1963) #236 by Marc Silvestri, Dan Green, Petra Scotese, Chris Claremont and Tom Orzechowski

Marc Silvestri in his prime: the action is great but the body and face language are even better, complementing perfectly Claremont’s dialogue. 

nipresa:

Daje torto…

browsethestacks:

Gwen-A-Gogo by Steve Rude

seanhowe:

In 1974, Stan Lee inquired about the American rights to Kazuo Koike and Goseki Kojima’s gekiga LONE WOLF AND CUB.

The series would not be published in America until 1987.

65pinkroses:

1980s lesbian mangas were spittin’ straight truth

browsethestacks:

Vintage Ad - Cap’s Gonna Star In A Broadway Show… (1985)

About The Proposed Show From The New York Times:

Captain America boasts a hero-sized $4 million budget. It’s going to be a big one, if everything works out as befits a musical named Captain America. Big, in this case, means a budget of $4 million—a lot of money, even for a superhero fighting for the American dream, the flag and the woman he loves. The superhero will not, in fact, be particularly super when the curtain goes up. The book by Mel Mandel and Norman Sachs (who are also responsible for music and lyrics) has Captain A. going through a mid-life crisis. Fortunately, the action speeds up—his girlfriend, a candidate for President, is captured by terrorists and held hostage at the Lincoln Memorial. That’s enough of the plot—when you invest millions, as are Shari Upbin, James Galton and Marvel Comics and some as yet untapped sources, you’re entitled to a few secrets.

thebaxterbuilding:

The complete Master of Kung Fu is now up on Marvel Unlimited, showcasing the amazing art of Gene Day. Incredible that he managed to match Paul Gulacy’s seemingly unsurpassable earlier work on the title. These pages are from his final issue, #120.

smillingcartoonist:

Billy Bud KGB 

Jerome Charyn <3

continuo-movimiento:

スパイダーマン - SUPAIDAMAN

josephinesignorelli:

Specifico che anche se non salto addosso a picchiarli, questi discorsi li sento sempre. Ma femminismo è inclusione, è totale parità tra gli individui, e voi dinosauri spaventati dalla radice della parola “femmina” siete destinati ad estinguervi. Pace ed xoxo. 💋💔

josephinesignorelli:

Tinder match. #myart #stripcomic #storytelling #funny #funfact #matcha #match #tinder #stupidgirl #mipiaccionoitreni #picoftheday #igersartist #artoftheday #comic #mycomics #fumetti #fumettibrutti

AĀMA, by Frederick Peeters

skiribilla:

Joshua Held

beifongkendo:

Snoopy Shodo: calligraphy of 夢 (yume), dream, by Yoshiteru Otani (2013).

jonathan-bogart:

Paco Roca, page from Emotional World Tour, a 2009 collaboration with fellow Spanish cartoonist Miguel Gallardo. It’s even funnier in context.

themarvelproject:

New Mutants character profiles by Chris Claremont and Bill Sienkiewicz (1984)

comicbookcovers:

DESTROY!! #1, November 1986, Pencils: Scott McCloud, with interior page. The whole book is pretty much like that.

DESTROY!! was a one-shot comic created by Scott McCloud of Understanding Comics fame -

  ‘I got the idea when I first heard people complaining about a Marvel comic called SuperBoxers and claiming that it was “nothing but senseless violence from beginning to end.” I thought this sounded cool, but was disappointed, upon acquiring a copy, to discover that SuperBoxers included a plot, characterization, and other distractions. It wasn’t PURE. Destroy!! was my attempt to get it right.

   Destroy!! was half-jokingly credited by Alan Moore with getting the Image-era `90s started early.“

  - Scott McCloud